Announcing our final concert of 2014-15: The Apple Hill Quartet and Friends

The internationally beloved Apple Hill String Quartet joins oboist Peggy Pearson for Winsor Music’s final concert of the 2014-15 season at St. Paul’s Church in Brookline on Sunday, April 26th at 7pm. Celebrated composer James Primosch presents the Boston premiere of his new quartet for oboe and strings, and Winsor Music concludes a season-long exploration of Haydn's chamber works with the Symphony Quintetto, an exquisite chamber arrangement of his Symphony No. 97. The Apple Hill String Quartet performs Brahms’ lyrical and turbulent String Quartet in A minor, Op. 51, No. 2. Composer Eric Nathan adds to Winsor Music's collection of Songs for the Spirit with a hymn setting of Emily Dickinson's “Hope” is the thing with feathers. 

Since its founding in 2007, the Apple Hill String Quartet has earned praise around the world for its concerts presenting interpretive mastery of traditional repertoire – including Haydn, Mozart, Schubert, Schumann, Beethoven, and Ravel – as well as for world premieres and commissioned pieces. As resident musicians at the Apple Hill Center for Chamber Music, the Quartet is featured in the summer concert series held every Tuesday night at the Center in Nelson, N.H. These concerts attract hundreds of visitors and have become a mainstay of the Monadnock area summer music offerings.

When honoring him with its Goddard Lieberson Fellowship, the American Academy of Arts and Letters noted that “A rare economy of means and a strain of religious mysticism distinguish the music of James Primosch… Through articulate, transparent textures, he creates a wide range of musical emotion.” Among the honors he has received are a grant from the National Endowment for the Arts, a Guggenheim Fellowship, three prizes from the American Academy-Institute of Arts and Letters, a Regional Artists Fellowship to the American Academy in Rome, a Pew Fellowship in the Arts, the Stoeger Prize of the Chamber Music Society of Lincoln Center, and a fellowship to the Tanglewood Music Center where he studied with John Harbison.

Peggy Pearson is a winner of the Pope Foundation Award for Outstanding Accomplishment in Music. Lloyd Schwartz, who received the 1994 Pulitzer Prize for Criticism, called her “my favorite living oboist.” Ms. Pearson is Artistic Director of, and oboist with Winsor Music, a founding member of the chamber group, La Fenice, with performances at Winsor Music, the Skaneateles Festival in New York, Maryland’s Eastern Shore Chamber Music Festival, and the Union College Series in Schenectady, New York. Ms. Pearson has toured internationally and recorded extensively with the Orpheus Chamber Orchestra, and has appeared with the Boston Symphony Orchestra, St. Paul Chamber Orchestra, and Emmanuel Music Chamber Orchestra as principal oboist, the Chamber Music Society of Lincoln Center, and Music from Marlboro. She has been on the faculties at Songfest, The Tanglewood Music Center (Bach Institute), the Conservatory of Music (University of Cincinnati), Wellesley College, the Composers Conference at Wellesley College and the Longy School of Music. She is currently on the faculties at Boston Conservatory and MIT (Emerson Scholars Program).

Lawrence Wolfe joined the Boston Symphony Orchestra bass section in 1970, becoming the orchestra's youngest member at that time; he was named assistant principal bass of the Boston Symphony Orchestra and principal bass of the Boston Pops Orchestra during the 1981‑82 season.  A graduate of New England Conservatory, Mr. Wolfe studied double bass with William Curtis, Leslie Martin, and Gary Karr.  As a fellow at the Tanglewood Music Center, he was awarded the Albert Spaulding Prize for the most promising and outstanding instrumentalist.  He is now a faculty member at Boston University, New England Conservatory, and the Boston Conservatory.  Represented on Titanic Records by his album, Lawrence Wolfe, Double Bass, Mr. Wolfe has appeared as soloist at Carnegie Recital Hall, NEC's Jordan Hall, Kilbourne Hall in Rochester, and Symphony Hall, where he has been a soloist with the Boston Symphony Orchestra and the Boston Pops Orchestra.

Eric Nathan, a 2013 Rome Prize Fellow and 2014 Guggenheim Fellow, has garnered acclaim internationally through performances at the New York Philharmonic’s 2014 Biennial, Carnegie Hall, Aldeburgh Music Festival, Tanglewood Festival of Contemporary Music, Aspen Music Festival, Cabrillo Festival of Contemporary Music, Ravinia Festival Steans Institute, Yellow Barn, 2012 and 2013 World Music Days, and Louvre Museum. His music has additionally been featured by the Berlin Philharmonic’s Scharoun Ensemble, Boston Symphony Chamber Players, Nouvel Ensemble Moderne, American Composers Orchestra, Omaha Symphony Chamber Orchestra, A Far Cry and the JACK Quartet.